The Modern Prometheus Through the Eyes of Christopher Nolan (Oppenheimer review)
It’s pretty common to have a biopic about musicians these days but Christopher Nolan decides to make one based on a monster. Oppenheimer is a bombastic (in every sense of the word) telling of a belittled Jewish scientist turned Father of the Atomic Bomb. With a star-studded cast, Nolan returns to tell yet another tragic story of our past with his rules of filmmaking and the exceptions of having scene-by-scene shot by IMAX cameras. The film follows J.Robert Oppenheimer, of course, when his capabablity is finally seen to be put into good use but I can safely say even if Nolan or anyone else seems to dismiss it, it also follows Lewis Strauss's involvement in finding him and secretly allowing the Manhattan Project. The film separates these points of view by simply calling them Fusion and Fission with Oppenheimer representing the former and Strauss the latter. This can be seen by how Oppenheimer has the idea and combines his intellect with his students and colleagues to bring about an ...